![]() Did you approach voicing the character as an acting performance, getting into the character's headspace, or did you stick specifically to the lines you were tasked with bringing to life? You mentioned you were a little nervous that your voice might not be the right fit for the character, and your voice is one of the instruments in your arsenal, but you're using it to perform in an entirely different way. It's really an honor to be this teeny, tiny part of the DC realm. I feel like the art is very high quality and the storyline by Greg and Scott, respectively, it's just so good. It's really cool to be included in a project like this. Once I was asked to be involved in the Dark Nights: Death Metal series, it made me feel I've really been missing out on some cool sh-t, honestly. ![]() The artwork is very '60s, film noir and I really appreciate the artistic bent there. She makes graphic novels and oracle decks, like My Pretty Vampire and Maids. More recently I've gotten into Katie Skelly's work. I didn't have anyone recommending anything to me. I think I tried to find more graphic novels after that, because I was really into it, but I just couldn't find any. One of the first graphic novels I read was Maus, which is based on the author's conversations with his father and his father's experiences about the Holocaust, basically. I would just sort of run my hand along the spines until something stood out. I was definitely an avid reader as a kid and my grandma would always take me to the local library every week. Honestly, when I was a kid, I never really had a cool influence on my life to introduce me to comic books, but I was always into comics and newspapers and magazines. I've always been into the DC stuff, for sure. Writing a song in dedication to Wonder Woman, you clearly felt a connection to the character in Dark Nights, but prior to getting involved with this, did you have much of a connection to her or other DC Comics? Or just other comic books in general? I fully warned them that I had a pretty monotone delivery when speaking and I didn't think they were going to be into it, but I tried it out and they seemed to be into the way I was approaching it, so I got to keep going. Then I was asked to do the voicing for Diana, or for Wonder Woman, for the episodes that highlight her issues of the comic, that's basically what are. I worked on the phone with Tyler and turned it in. I'm not quite sure if there is a romantic connection between them, but I just picked up on something. There's an intimate moment between them that almost felt romantic to me, but also just felt like two old friends who have this understanding between them that nobody else has in the universe, or I guess the multiverse, in their case, so I wrote the song based on that encounter. I ended up calling the song "Diana" in dedication because I was given a digital copy of the first issue and I got to this section where Wonder Woman meets Wally West and he's really tired from his travels. I worked on the song with Tyler Bates, who's soundtracking and music directing this project for the Sonic Metalverse. ![]() 29: Jacob Collier - Djesse Vol.Chelsea Wolfe: I was first asked as a musician to write a song as part of the soundtrack to this new series, which, of course, is my forte, the music aspect, so I did that. 16: Laura Jane Grace - Hole In My Head Feb. 26: Future Islands - People Who Aren't There Anymore Jan.
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